Do we really have to suffer to be beautiful?
James Gillray (1756 - 1815) knew all about the boudoir and the suffering therein.
You don't really need that cricket bat darling, any burglar would run a mile if he saw you!
Our neighbour similarly attired recounted how she was confronted on the stairs by the lodger (a man), but with the added humiliation of wearing a far flimsier housecoat that revealed her far from flimsy foundations!
The girl on the right indeed sports some very substantial foundation garments. In fact, the Marks and Spencer satin elastic girdle (from the 1970's) and the CAMP 90245 panty-girdle from the 1980's are two of the strongest girdles ever made. On another page called "Trapped inside my panty-girdle", we debate whether something as simple as elastic knickers needed to be so complicated.
One aging actress succumbed to old age less than gracefully.
This requires powerful surgical plaster to be stuck just above the forehead and
pulled strongly backwards. It is in effect, a non-surgical facelift. The plaster
adheres to the scalp. Such ‘taping’ can pull the sides of the face taut as well
but is extremely uncomfortable.
One aging actress succumbed to old age less than gracefully.
This requires powerful surgical plaster to be stuck just above the forehead and pulled strongly backwards. It is in effect, a non-surgical facelift. The plaster adheres to the scalp. Such ‘taping’ can pull the sides of the face taut as well but is extremely uncomfortable.
Julia Roberts in the film 'Mirror, Mirror' (2012) undergoes baroque beauty therapy that includes having her face covered in parrot droppings and using a bee sting to plump up the lips.
Two versions of the all-enveloping electric heater bag.
Curlers are one thing, balancing your hairpiece quite another. Meanwhile, some girls like the tin foil and others hate it.
.. but the 'Acme Autoperm' is something else. The elderly lady on the left was the first customer.
The terrifying Max Factor invention was not a torture device, but an analogue face contour measurer. Perhaps it could measure the before and after effects of the patented 'Curves of Youth'.
On the right, it looks like a simple perm, but in this case, it really is a torture device used by Vincent Price in the film 'The Theatre of Blood' (1973) to electrocute a lady that criticised him. Hopefully not in real life since Vincent Price and the lady, Coral Browne married after the film's completion.
Face masks worthy of the fetish world were used and actually worn to smooth the skin and remove wrinkles. On left, the air pressure was reduced and on the right, the lady could breathe through a tube inserted into her mouth.
Despite being tastefully finished in satin, the mask above is still faintly terrifying, especially when connected to the electricity machine.
There are dials for the face, neck, chin and afterwards, the rather sinister nurses spray you with, I wonder what - some immobilising chemical to hold your remodelled face in shape. But don't spray the lady on the right just yet.
These masks were, amazingly, products of the 1990s. "Slip into your satin pyjamas" exhorts the advert. What is the point of those lovely satin pyjamas if the mask will scare any suitor off.
Again another 1990s marvel - a Bullworker for your lips. Amazingly, the filmed advert shows the poor woman performing 60 compressions WHILST GIVING A COMMENTARY.
"Thithh wi' etherthithe 'u' theeks". She keeps up the mumbling for two minutes in this grotesque almost ritual humiliation.
Witness the Japanese misses attempting to plump up their lips. This is seriously scary and once the lips are done, you can straighten that nose as well.
There was no end to the old-fashioned inventors' ingenuity (or should I say, female gullability): freckle removers and dimple inserters being just the tip of the iceberg.
Would you smear a good meal or African algae all over your fizzog, I certainly wouldn't.
The lady above is scared witless by the sight of Jim Carrey playing "the Mask", in fact about as scared as 'The Mask' (1994) is of confronting his landlady in curlers and a green facepack. Oh dear, some women just don't like to be seen like this including the Australian soap opera girl with the cricket bat. Meanwhile, Anna Karen in 'On the Buses' (1971) asks her husband "Shall I take my curlers out?" in the sadly mistaken belief that he is making romantic overtures.
This sequence of shots is from Terry Gilliams' 1985 dystopian, science-fiction film 'Brazil', where the cosmetic surgery obsessed Ida Lowry, played by Katherine Helmond, has her face stretched, clipped and wrapped in plastic (below). This is, of course, fantasy from the film world, but not actually as fantastic as you might imagine. Aging actresses have been known to have their scalps taped to pull the skin taut over the face. Apparently this is less than comfortable although rather effective. One actress even had a series of rings pierced through her scalp which, when pulled together by a ribbon through the rings stretched her face to an immobile smoothness. Her wig was anchored onto the rings that were then hidden from view.
Of course once the face has been attended to, attention passes to the teeth although this will be a longer process.
Regard the lacing marks on the model above (middle). This was taken in 2009 after the photoshoot for the first calendar. The girdle has left a pronounced welt on the wearer as it has ridden down the body and it wasn't just foundation garments that left you battered and bruised, look at the structural engineering involved in a strapless evening gown.
This remarkable series of five postcards shows the ecstasy that can be achieved from lacing up your corsets (she will never, ever lace them closed) and donning a chin strap. Soon she will be slim and that double chin consigned to history; no wonder she looks so happy.
Less happy are the maidens with excess flesh as a consequence of drastic and rapid weight loss. For sure the flesh can be controlled and reformed but it is far from painless.
However, you have to congratulate the Canadian lady in the middle who lost so much weight and manages to control it with a selection of powerful elastic garments. Indeed, industrial strength elastic works wonders (as it has done for decades).
All that effort and the bra still doesn't fit!
But it was all worth it, the make-up, the fingernail painting, the dangerously pinned and balanced hairpieces, the tight, tighter girdle, the bosoms hoisted high, higher, the fluff, the all-enveloping satin and the teeth braced to piano key perfection (in the fullness of time for the girl on the left).
Who is this hiding behind a frankly disturbing face-mask with the oversize curlers?
This is the lady that confessed to wearing four layers of Spanx at the 2012 Grammy Awards. Yes: None other than the singer Adele who truly suffers for her beauty.
If ever there was a film dedicated to this subject, it just has to be 'Crazy Ex-Girlfriend' (series started 2015) that runs a sequence of just how you have to suffer to be beautiful. The girl getting into her spanx is hilarious.