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Swimsuits
In an era when women relied on their foundation garments, to appear in an unstructured swimsuit would be unthinkable. This is why women's swimwear in the post-war period up until the dawn of the Bikini closely resembled that classic foundation garment: the corselette.
Marguerite Chapman (1918 - 1999) and Jane Russell (1921 - 2011) demonstrate how closely their satin swimsuits resemble what they might wear under their day clothes. |
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The
dividing line between swimsuits and underwear is a very grey area. In the
post-war period until the 1960's when many women were married to their
foundation garments, a lady's swimsuit might also have to perform the function
of underwear. The lady would feel very uncomfortable without proper support.
Spirella made some excellent examples with bras inserted and the material of the
swimsuit of sufficient elasticity to rival some of their corselettes. Look at
the hook-and-eye and zippered fastening, the brassiere section and the heavy
duty elastic nylon. construction. We have taken the liberty of flanking
Spirella's best by the model Barbara Payton whose satin swimsuit only needs the
addition of garters to appear like a fashionable corselette. If you can make a powerful corselette,
you can design a swimsuit to shape the figure and Spirella did so very
successfully. Some of Spirella's swimsuits are far stronger than any
foundation made today. They zipped and hooked at the back, and beneath
the trendy helanca fabric lay layers of powerful elastic. Boning, hooks
and a back or side zip were all part of the suit. Concealed lacing was
not a Spirella option, however, it was used by a number of actresses
(and a famous member of royalty) in
the 1950's.
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In the 1960s, Playtex
persuaded a swimming champion, June Earing, to endorse their brand, not
least because you could wear the girdle whilst swimming! A Spencer
consultant relates that this was not without its own hazards:
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